Blackmagic Design Pocket Cinema Camera 4K BMD-CINECAMPOCHDMFT4K


Blackmagic Design Pocket Cinema Camera 4K BMD-CINECAMPOCHDMFT4K , MFT Mount, 4 Microphones Built in, LCD Screen, Full Size HDMI Connector

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Blackmagic Design Pocket Cinema Camera 4K BMD-CINECAMPOCHDMFT4K

The revolutionary new Blackmagic Design Pocket Cinema Camera 4K is the camera you’ve been asking for.

Blackmagic Design’s original Pocket Cinema Camera took the industry by storm. It was, and still is, used extensively throughout the industry for everything from shooting Vlogs to filming big budget movies as a B-camera.

Whether stripped back for use in-car, or rigged with follow focus, matte box, external monitors and battery systems on-set, the Pocket Cinema Camera with its RAW and ProRes recording capabilities established a new benchmark for the industry.

The new 4K model is yet another leap forward, with exceptional build quality, on-board XLR inputs, timecode, CFast and SD card recording and much, much more. The superb low light image quality, advanced colour science and RAW 4K recording features let you shoot images that rival professional digital film cameras costing tens of thousands more.

Whether you’re shooting a feature film, television show, corporate production or YouTube video, the Pocket Cinema Camera 4K fits the bill. Check out how to accessorize the camera with a range of pro-spec, durable kit that will transform your shooting experience

The Camera for all Seasons

The Blackmagic Design Pocket Cinema Camera’s stand out feature is its RAW video quality. But its adaptability comes in a very close second place.

Take the capture options: no other handheld system offers you CFast, SD card and USB-C storage recording, as well as 10-bit clean HDMI output. Recording options include 10 bit Apple ProRes files in all formats up-to 4K or 12 bit Blackmagic RAW in all formats up to 4K, meaning you get the highest quality and the greatest post production flexibility.

Then you get a camera that’s designed to be expanded: a full size HDMI connector for use with external monitors, XLR audio port with 48V phantom power for professional microphones and a locking DC power connector for connecting broadcast batteries. The Pocket Cinema Camera is superb handheld in its native state, but it’s ready to be rigged, mounted and adapted to turn it into the personalised camera system you need.


The micro four thirds mount gives users access to lens options from more than a dozen manufacturers. The mount can also be adapted to use Canon EF or Nikon lenses. The options are almost endless, ranging from ultra-wide to telephoto, from flexible zooms to high speed primes.

Support & View

The Pocket Cinema Camera Blackmagic RAW and ProRes recording means that it can be used for fast turn-around programming as well as long format productions. To adapt the camera quickly for different shots (handheld or mounted to a tripod, slider or gimbal) a professional Wooden Camera cage adds protection and important mounting points for accessories


Running on an LP E6 battery, the runtime is limited. To boost shooting time, we recommend either a supply of high quality Hanhel batteries or CoreSWX’s Powerbase Edge which can power the camera for 4 hours continually. The Edge’s power taps and USB outputs means that it can also power accessories such as an external monitor, wireless transmitter or on-camera LED light.


Speed is nothing without reliability. That’s why we recommend a carefully selected range of fast storage media that pairs with the Pocket Cinema Camera 6K. With certified media, the camera can capture at the highest resolution over extended periods without dropped frames or errors. This is one area where cost-cutting is not advised!

Post Production

The Pocket Cinema Camera 6K is at its best when it’s shooting RAW, Blackmagic RAW. Editing and grading the format is very rewarding with the DaVinci Resolve software included with the camera, but the experience is greatly enhanced by using a dedicated interface, graphics acceleration system and a colour accurate monitor.

Blackmagic Design Pocket Cinema Camera 4K – What’s In The Box

  • Blackmagic Pocket Cinema Camera 4K
  • Lens turret dust cap
  • 30W power supply with locking connector and international adapters
  • LP‑E6 Battery
  • SD card with software and manual
  • DaVinci Resolve Studio with activation key
Effective Sensor Size

18.96mm x 10mm (Four Thirds)

Lens Mount

Active MFT mount.

Lens Control

Iris, focus and zoom on supported lenses.

Dynamic Range

13 Stops

Dual Native ISO

400 and 3200

Shooting Resolutions

4096 x 2160 (4K DCI) up to 60 fps
4096 x 1720 (4K 2.4:1) up to 75 fps
3840 x 2160 (Ultra HD) up to 60 fps
2880 x 2160 (2.8K Anamorphic) up to 80 fps
2688 x 1512 (2.6K 16:9) up to 120 fps
1920 x 1080 (HD) up to 120 fps

Frame Rates

Maximum sensor frame rate dependent on resolution and codec selected. Project frame rates of 23.98, 24, 25, 29.97, 30, 50, 59.94 and 60 fps supported.
Off-speed frame rates up to 60 fps in 4K DCI, 120 fps in 2.6K 16:9 and HD windowed.


Auto focus available using compatible lenses.

Iris Control

Iris wheel and touchscreen slider for manual iris adjustment on electronically controllable lenses, iris button for instant auto iris settings on compatible lenses.

Screen Dimensions

5” 1920 x 1080.

Screen Type

LCD capacitive touchscreen.


Touchscreen menus on 5 inch screen. 1 x Power Switch, 1 x Record Button, 1 x Stills Button, 1 x Scroll Wheel with push integrated into handgrip, 1 x ISO Button, 1 x White Balance, 1 x Shutter Button, 3 x software configurable Fn buttons, 1 x High Frame Rate (HFR) Button, 1 x Zoom Button, 1 x Menu Button, 1 x Play Button, 1 x Focus Button and 1 x IRIS Button.

Total Video Inputs


Total Video Outputs

1 x HDMI up to 1080p60

Analog Audio Inputs

1 x mini XLR analog switchable between mic with phantom power support and line level (up to +14dBu). 1 x 3.5mm Stereo Input. Can also be used for Timecode input.

Analog Audio Outputs

1 x 3.5mm headphone jack.

Computer Interface

USB Type-C for external drive recording, PTP camera control and software updates.

HD Video Standards

1080p23.98, 1080p24, 1080p25, 1080p29.97, 1080p30, 1080p50, 1080p59.94, 1080p60.

Ultra HD Video Standards

2160p23.98, 2160p24, 2160p25, 2160p29.97, 2160p30, 2160p50, 2160p59.94, 2160p60.

4K DCI Standards

4KDCIp23.98, 4KDCIp24, 4KDCIp25, 4KDCIp29.97, 4KDCIp30, 4KDCIp50, 4KDCIp59.94, 4KDCIp60.


1 x CFast card slot, 1 x SD UHS-II card slot, 1 x USB-C 3.1 Gen 1 expansion port for external media for Blackmagic RAW and ProRes Recording.

Media Format

Can format media to ExFAT (Windows/Mac) or HFS+ (Mac) file systems.


Blackmagic RAW Constant Bitrate 3:1,
Blackmagic RAW Constant Bitrate 5:1,
Blackmagic RAW Constant Bitrate 8:1,
Blackmagic RAW Constant Bitrate 12:1,
Blackmagic RAW Constant Quality Q0,
Blackmagic RAW Constant Quality Q5,
ProRes 422 HQ QuickTime,
ProRes 422 QuickTime,
ProRes 422 LT QuickTime,
ProRes 422 Proxy QuickTime.

External Control

iPad control, Bluetooth control, USB PTP camera control

Storage Type

1 x CFast 2.0.
1 x SD UHS-II card.
1 x high speed USB-C expansion port for external media.

Storage Rates

Storage rates based on 30 frames per second.

4096 x 2160
Blackmagic RAW 3:1 – 135 MB/s
Blackmagic RAW 5:1 – 81 MB/s
Blackmagic RAW 8:1 – 51 MB/s
Blackmagic RAW 12:1 – 34 MB/s
Blackmagic RAW Q0 – 81 to 203 MB/s *
Blackmagic RAW Q5 – 21 to 58 MB/s **
Apple ProRes 422 HQ – 117.88 MB/s
Apple ProRes 422 – 78.63 MB/s
Apple ProRes 422 LT – 54.63 MB/s
Apple ProRes Proxy – 24.25 MB/s

4096 x 1720
Blackmagic RAW 3:1 – 108 MB/s
Blackmagic RAW 5:1 – 65 MB/s
Blackmagic RAW 8:1 – 41 MB/s
Blackmagic RAW 12:1 – 27 MB/s
Blackmagic RAW Q0 – 65 to 161 MB/s *
Blackmagic RAW Q5 – 17 to 47 MB/s **

3840 x 2160
Blackmagic RAW 3:1 – 127 MB/s
Blackmagic RAW 5:1 – 76 MB/s
Blackmagic RAW 8:1 – 48 MB/s
Blackmagic RAW 12:1 – 32 MB/s
Blackmagic RAW Q0 – 76 to 190 MB/s *
Blackmagic RAW Q5 – 19 to 55 MB/s **
Apple ProRes 422 HQ – 110 MB/s
Apple ProRes 422 – 73.6 MB/s
Apple ProRes 422 LT – 51 MB/s
Apple ProRes Proxy – 22.4 MB/s

2880 x 2160
Blackmagic RAW 3:1 – 96 MB/s
Blackmagic RAW 5:1 – 58 MB/s
Blackmagic RAW 8:1 – 36 MB/s
Blackmagic RAW 12:1 – 24 MB/s
Blackmagic RAW Q0 – 58 to 143 MB/s *
Blackmagic RAW Q5 – 15 to 41 MB/s **

2688 x 1512
Blackmagic RAW 3:1 – 63 MB/s
Blackmagic RAW 5:1 – 38 MB/s
Blackmagic RAW 8:1 – 24 MB/s
Blackmagic RAW 12:1 – 16 MB/s
Blackmagic RAW Q0 – 38 to 94 MB/s *
Blackmagic RAW Q5 – 10 to 27 MB/s **

1920 x 1080
Blackmagic RAW 3:1 – 33 MB/s
Blackmagic RAW 5:1 – 20 MB/s
Blackmagic RAW 8:1 – 13 MB/s
Blackmagic RAW 12:1 – 8 MB/s
Blackmagic RAW Q0 – 20 to 49 MB/s *
Blackmagic RAW Q5 – 5 to 14 MB/s **
Apple ProRes 422 HQ – 27.5 MB/s
Apple ProRes 422 – 18.4 MB/s
Apple ProRes 422 LT – 12.75 MB/s
Apple ProRes Proxy – 5.6 MB/s

Recording Formats

Blackmagic RAW 3:1, 5:1, 8:1, 12:1, Q0 and Q5 at 4096 x 2160, 4096 x 1720, 3840 x 2160, 2880 x 2160, 2688 x 1512 and 1920 x 1080 with film, extended video or video dynamic range. ProRes at 4096 x 2160, 3840 x 2160 and 1920 x 1080 with film, extended video or video dynamic range or custom 3D LUT.

Software Included

Pocket Cinema Camera 4K Operating System.

Operating Systems

Mac 10.14 Mojave,
Mac 10.15 Catalina or later.
Windows 10.

Battery Type

Canon LP-E6



Battery Life

Approximately 60 minutes
(recording at 24 fps without any external USB-C device connected)


12 Month Limited Manufacturer's Warranty

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