AJA KI Pro Ultra Plus HD Recorder

Product SKU: KI-PRO-ULTRA-PL

AJA KI Pro Ultra Plus, 4K/2K record and playback, Apple ProRes, Avid DNxHR and DNxHD recording and playback, 4 x 3G-SDI, Fiber SFP Cages, HDR10 and HLG

£4,475.52 (inc. VAT)

Order today, we will despatch when available. *(2-3 working days)

AJA KI Pro Ultra Plus
AJA KI Pro Ultra Plus HD Recorder

£4,475.52 (inc. VAT)

FREE UK Next Day Delivery (Mon - Fri)

* Order by 1pm for next day delivery

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AJA KI Pro Ultra Plus HD Recorder

AJA Ki Pro Ultra Plus is a multi-channel Apple ProRes® recorder offering up to 4-Channels of simultaneous HD recording, or in Single-Channel mode a 4K/UltraHD/2K/HD Apple ProRes, Avid DNxHR® MXF for 4K/UltraHD or Avid DNxHD® MXF recorder and player. Ki Pro Ultra Plus supports the latest large raster high frame rate workflows, up to 4K 60p with HDR playout and recording.

3G-SDI, fiber and full HDMI 2.0 digital video connectivity plus a wealth of analog and digital audio connectivity answers any project’s demand for efficient, powerful and flexible workflows.

Designed to be either portable or rackmountable with half rack wide, 2RU high dimensions, it’s well suited for use in any environment.

Ki Pro Ultra Plus & Multi Channel Recording

Learn how you can record and play back a single channel of 4K, HFR 4K, or record up to four channels of 1080 HD video from one intuitive box using AJA’s portable Ki Pro Ultra Plus.

Explore the device’s broad feature set – from HDMI 2.0 connectivity with HDR playback to a dedicated web UI for remote control, the Ki Protect feature to ensure data integrity, a three-year warranty, dedicated support and so much more.

Multi-Channel HD Recording

Record 1, 2, 3 or 4-Channels of beautiful HD up to 1080p 50/60 in Apple ProRes simultaneously with Ki Pro Ultra Plus.

Simplify your multi-camera productions by running up to four cameras per Ki Pro Ultra Plus and save power, space, time and effort on set, in the studio and when setting up OB trucks.

Ki Pro Ultra Plus even allows independent profile support per channel in Multi-Channel mode; select high resolution Apple ProRes HQ for high quality finishing and use a second input to record Apple ProRes (Proxy) for an efficient editing pipeline.

Starting with input 1, add channels as needed in order when utilizing like raster size and frame rate, and record your HD Apple ProRes files on the same AJA Pak media*. Ki Pro Ultra Plus even allows rollover to a second Pak for hours of uninterrupted multi-channel recording.

Edit Ready, Independent ProRes Files

Multi-Channel recording with Ki Pro Ultra Plus provides individual, discrete recordings for each input that are timecode accurate and ready to be imported directly into a multi-channel editing sequence. No additional conversion or software is required, just drag and drop the files directly from the Pak Media into your edit. The clip naming convention is yours to customize to suit your needs, but each multi-channel file is always appended with .1, .2, .3 or .4, making it very easy to track assets in post.

New Multi-Channel independent file naming support with firmware v4.0 also allows an independent additional name to be added to each recorded file for further identifying specific information for the project’s needs.

Continuous Record and Rollover, Even in Multi-Channel Mode

Losing one or even several feeds during a multi-channel shoot can cause major sync issues during the editing process that can be lengthy to resolve, if they can be resolved at all. But Ki Pro Ultra Plus is designed so that as soon as a loss in signal is detected on any of the inputs, a color bars frame with the legend “Loss Of Signal” is recorded until the input is restored or the shoot ends. In this way, all multi-channel clips have the same timecode duration and will align perfectly within any NLE. The editor then just simply cuts away from any recording that lost signal, without any heavy lifting to insert frames, or adjust audio to compensate. This function works with each input to Ki Pro Ultra Plus and will even function in Rollover mode, meaning that a loss of signal that spans separate media will pose no issues in editing, the time code of each file recorded being equal.

New Forced Rollover support allows users to force a rollover recording to the second Pak port at any point, allowing quick extraction of the first Pak drive for fast transfer to editing environments, playout servers and more, while recording continues.

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Features

  • 4K/UltraHD/2K/HD record and playback
  • Multi-Channel HD Recorder
  • Avid DNxHR and Avid DNxHD recording and playback
  • 4 x 3G-SDI I/O, HDMI 2.0 I/O
  • Fiber SFP Cages for long cable runs
  • HDR10 and HLG capture and playback
  • Three Year Warranty
Video Formats

Single Channel Mode:
(4K) 4096 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(4K) 4096 x 2160PsF 23.98, 24, 25, 29.97*
(UltraHD) 3840 x 2160p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(UltraHD) 3840 x 2160PsF 23.98, 24, 25, 29.97*
(2K) 2048 x 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1080i 25, 29.97, 30
(HD) 1080PsF 23.98, 24, 25**, 29.97**
(HD) 720p 50, 59.94, 60
Multi-Channel Mode:
(HD) 1080p 23.98, 24, 25, 29.97, 30, 50, 59.94, 60
(HD) 1080i 25, 29.97, 30
(HD) 1080PsF 23.98, 24, 25**, 29.97**
(HD) 720p 50, 59.94, 60

*Only 4x 1.5G-SDI, 10-bit 4:2:2 YCbCr, Square Division
**25 and 29.97 requires Record Type>PsF selection

Codec Support

Single Channel Mode:
Apple ProRes 4444 XQ, up to 2K/60 fps
Apple ProRes 4444, up to 30 fps
Apple ProRes 422 (HQ)
Apple ProRes 422
Apple ProRes 422 (LT)
Apple ProRes 422 (Proxy)
Avid DNxHD HQX (220x)*
Avid DNxHD SQ (145)*
Avid DNxHD LB (36)**
Avid DNxHR HQX up to 4K/30 fps
Avid DNxHR SQ up to 4K/30 fps
Avid DNxHR LB up to 4K/30 fps
Multi-Channel Mode:
Apple ProRes 4444, up to 30 fps
Apple ProRes 422 (HQ)
Apple ProRes 422
Apple ProRes 422 (LT)
Apple ProRes 422 (Proxy)

*Avid DNxHD only supported for 1080 and 720 resolutions
**Avid DNxHD 36 only supported for 1080p

Codec Container

Apple ProRes .MOV
AVID DNX MXF or .MOV

Removable Storage

2x slots, AJA SSD media Pak 256, Pak 512, Pak 1000, Pak 2000
Pak-Adapt-eSATA*, Pak-Adapt-CFast*

*Only with AJA qualified media

Video Input Digital

4x 3G-SDI, SMPTE-292/296/424, 10-bit (12-bit input supported)
4x Fiber LC*, 3G-SDI, SMPTE-297, 10-bit
4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
Dual Link 4:2:2, 4:4:4 (2x BNC or Fiber LC*)
Single Link 4:2:2, 4:4:4 (1x BNC or Fiber LC*)
1x HDMI standard type A connector
HDMI v2.0
4:4:4 RGB 8/10/12-bit (deep color)
4:2:2 YCbCr 8/10/12-bit
4:2:0 YCbCr 8-bit

*Optional SFP Modules

Video Output Digital

4x 3G-SDI, SMPTE-292/296/424, 10-bit
4x Fiber LC* 3G-SDI, SMPTE-297, 10-bit
4K/UltraHD 4:2:2 or 4:4:4 (4x BNC or Fiber LC*)
Dual Link 4:2:2 or 4:4:4 (2x BNC or Fiber LC*)
Single Link 4:2:2 or 4:4:4 (1x BNC or Fiber LC*)
1x HDMI standard type A connector
HDMI v2.0
4:4:4 RGB 8/10/12-bit (deep color)
4:2:2 YCbCr 8/10/12-bit
4:2:0 YCbCr 8-bit
HDR Infoframe generation as defined in CTA-861.3 and HDMI v2.0a

*Optional SFP Modules

Audio Input Digital

16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)

Audio Input Analog

8-Channel, mappable, 24-bit A/D analog audio, 48 kHz sample rate (1x DB-25 TASCAM Pinout)
+24 dBu full scale digital
+/- 0.2 dB 20 Hz to 20 kHz frequency response

Audio Output Digital

16-Channel, 24-bit SDI/Fiber embedded audio, 48 kHz sample rate, synchronous
8-Channel, 24-bit HDMI embedded audio, 48 kHz sample rate, synchronous
8-Channel, AES/EBU via (1/2x DB-25 TASCAM pinout)

Audio Output Analog

Stereo unbalanced headphone jack (1x 3.5mm jack) with volume control
8-Channel, 24-bit D/A analog audio, 48 kHz sample rate (1x DB-25 TASCAM pinout)
2-Channel unbalanced 2 x RCA connectors

Recording Mode

Multi-channel HD Apple ProRes recording (Pak 2000, Pak 1000, Pak 512 (R1), Pak 256 (R1) (R2))
Single channel 4K/UltraHD/2K/HD recording

Playback Mode

One channel of 4K/UltraHD/2K/HD at a time

Timecode

SDI RP188/SMPTE 12M via SDI BNC
LTC input (1x BNC)
LTC output (1x BNC)
Movable TC Super Out

Reference Input

External, 2x BNC
Looping, nonterminating
Blackburst or tri-level sync

Network Interface

10/100/1000 Ethernet (RJ-45)
Embedded web server for remote control via REST
Video Confidence Monitor via Web Interface
Clip upload/download via Web Interface in DATA-LAN mode
Configuration and Transport Control via WEB Interface

User Interface

Rotary selector knob
Dedicated, backlit transport controls and menu buttons
Large 1280 x 720 TFT LCD display with Video Monitor and Menu/Status Overlays

Machine Control

RS-422, 1x DE-9 female connector, Sony 9-pin protocol

Closed Captioning Support

CEA-708, CEA-608

File System Support

HFS+, exFAT

Size (w x d x h)

8.64" x 9.34" x 3.31" (219.46 x 237.24 x 84.08 mm)

Power

Dual, redundant, 5.4A max, 35W-60W typical-65W Max
100-240 VAC 50/60 Hz (adapter)
12-18Vdc 4-pin XLR (chassis)

Environment

Safe Operating Temperature: 0 to 40 C (32 to 104 F)
Safe Storage Temperature (Power OFF): -40 to 60 C (-40 to 140 F)
Operating Relative Humidity: 10-90% noncondensing
Operating Altitude: <3,000 meters (<10,000 feet)

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